Bach, J S - Viola da Gamba Sonatas Nos. 1-3, BWV1027-1029
Genres:
Chamber » Sonatas » Viola da gamba Sonatas
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Awards:
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Gramophone Awards, 1984, Winner - Early Music - Baroque
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JS Bach - Sonatas for Viola Da Gamba and Harpsichord
Antoine Tamestit (viola), Masato Suzuki (harpischord)
Suzuki’s phrases are stunningly articulated, teeming with nuance and character…Tamestit makes a luscious sound too. His playing is bold and elegant – everything you would expect from an international... — More…
Awards:
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International Classical Music Awards, 2019, Nominee - Baroque Instrumental
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JS Bach, Handel & Scarlatti: Gamba Sonatas
Steven Isserlis (cello), Richard Egarr (harpsichord), with Robin Michael (cello)
This isn’t one for the dyed-in-the-wool authenticist…fortunately, dessicated 'authenticity' has been supplanted by imaginatively experimenting performers supported by scholarly evidence…in the... — More…
Awards:
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Gramophone Magazine, Awards Issue 2015, Editor's Choice
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J S Bach: Sonatas for Viola da Gamba & Harpsichord
Jonathan Manson (viola da gamba) & Trevor Pinnock (harpsichord)
Bach always wrote expressively for this eloquent member of the viol family, above all in the wonderful G minor Sonata whose outer movements adhere to the ritornello principles of a Vivaldian... — More…
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Angela Hewitt joins the equally period-sensitive Daniel Müller-Schott in performances which lead the field for performances on cello and piano. — More…
Awards:
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Gramophone Magazine, Awards Issue 2007, Editor's Choice
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Bach, J S: Viola da Gamba Sonatas Nos. 1-3, BWV1027-1029
Nicolas Altstaedt (cello) & Jonathan Cohen (harpsichord)
Altstaedt's rounded tone may stray from the plangent intensity of Bach's gamba, but he and Cohen savour the inventive spirit of these alluring trio sonatas 'a deux'. — More…
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JS Bach: Viola da Gamba Sonatas & English Suite No. 2
Byron Schenkman (harpsichord), Emily Walhout (viola da gamba)
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JS & CPE Bach: Sonatas for Viola da Gamba and Harpsichord
Tatty Theo (baroque cello) & Carolyn Gibley (harpsichord)
The Brook Street Band
there is a close match between cello and a harpsichord of cutting transients which fits the businesslike virtuosity of much of the playing. Choice of tempi cannot be faulted and rhythm is exact — More…
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