Scarlatti, D - Keyboard Sonata K29 in D major

Angela Hewitt responds intuitively and alluringly to the multi-faceted character of these sonatas — BBC Music Magazine, 01/03/2016 More…

in order for Huangci to maintain balance and proportion within her superimposed larger forms, she understandably omits repeats, which avid Scarlatti connoisseurs might miss. Yet when you consider... — Gramophone Magazine, September 2015 More…

Long immersed in Scarlatti’s music, Sudbin is an ardent advocate, his fearless Russian-school technique making light weather of even the most breakneck writing: rhythms are crisp and buoyant;... — BBC Music Magazine, May 2016, 4 out of 5 stars More…

Messiaen comes at the center of the program, and what a tender, clear-headed, and ultimately rapturous performance this is, most sensitively colored by the pianist. For me, the biggest surprise... — Fanfare, Nov/Dec 2023 More…

if Tharaud is evidently aware of the stylistic insights afforded by the scholarly diggings of the past few decades, he's unrepentantly pianistic in his approach...Tharaud's is playing with personality,... — BBC Music Magazine, March 2011, 5 out of 5 stars More…

The sonatas that tend to come off more effectively are those where Korstick is less obviously ‘interpreting’ them. — Gramophone Magazine, April 2022 More…

One the most intelligently programmed and distinctively played Scarlatti collections to cross my reviewer’s desk in years. — Gramophone Magazine, September 2022 More…