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The qualities one values so much in Degout’s Fauré – the integration of text and line, his almost instinctive use of colour and dynamics, the uncompromising directness of expression – are those... — More…
Awards:
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Presto Editor's Choice, March 2019
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Gramophone Magazine, May 2019, Editor's Choice
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International Classical Music Awards, 2019, Nominee - Vocal
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Gramophone Magazine, December 2019, Critics' Choice
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Schumann, Brahms, Mahler - Lieder
Renée Fleming (soprano), Hartmut Höll (piano)
Münchner Philharmoniker, Christian Thielemann
Fleming’s delightful selection of Brahms songs and Schumann’s Frauenliebe und-leben aren’t presented with the folk-like simplicity one might expect. This approach is suffused with late Romanticism,... — More…
Awards:
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Opus Klassik Awards, 2020, Nominee - Female Singer of the Year
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Johannes Brahms: Liebeslieder Walzer, Opp. 52 & 65
Mary Bevan (soprano), Fleur Barron (mezzo-soprano), Nicky Spence (tenor), Wlliam Thomas (bass), Dylan Perez (piano), Joseph Middleton (piano)
This delectable recording makes a splendid case, if it were needed, for their worth. These four singers complement one another and blend effortlessly, seeming to share some crucial qualities:... — More…
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[in the E minor Cello Sonata] the flexibility of tempo sounds totally natural and unforced...with his nut-brown tones in the lower registers of the cello, I hope for many more recordings of... — More…
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