Monteverdi - Lamento d'Arianna 'Lasciatemi morire', SV 107
Genres:
Opera » Opera Arias
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The Red Priest’s cello concertos flaunt Kobekina’s electrifying virtuosity and the high-octane playing of the Basel Chamber Orchestra under violinist Julia Schröder’s spirited direction. Yet... — More…
Awards:
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Opus Klassik Awards, 2024, Winner - Young Talent of the Year
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Weird but distinctly wonderful, this programme exploring the connections between the emerging early music and cabaret scenes in early twentieth-century Paris finds d'Oustrac not so much chewing... — More…
Awards:
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Presto Editor's Choice, August 2023
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Three things stand out about Alessandrini's version. First, his extraordinary feel for the words… Second, his revised edition which gives him access to newly revealed dissonances… And third,... — More…
Awards:
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Gramophone Magazine, August 2006, Editor's Choice
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Monteverdi Madrigali Volume 2: Mantova
Excerpts from Books IV, V and VI
Les Arts Florissants, Paul Agnew
This group of performers is commendably aware of [the] move towards expressive freedom: we get from them searing moments of deep anguish...and mesmerising stillness...[and] the finest performance... — More…
Awards:
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Gramophone Magazine, January 2015, Disc of the Month
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Monteverdi: Lamento d'Arianna & Combattimento di Tancredi e Clorinda
Jaap Ter Linden (cello), Henk Bouman (harpsichord), Hajo Bäß (violin), Karlheinz Steeb (viola), Jonathan Cable (violone), Hopkinson Smith (guitar), Carolyn Watkinson (alto), Patrizia Kwella (soprano), Nigel Rogers (tenor), David Thomas (bass)
Musica Antiqua Köln, Reinhard Goebel
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Hello Darkness: An Ode To Death in Songs From Claudio Monteverdi To Billie Eilish
Olivia Vermeulen & Jan Philip Schulze
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[Mameli] provides an object lesson in how vocal precision need not inhibit passionate commitment. Her clarity and response to the texts is exceptional: the first phrase of Caccini’s Dolcissimo... — More…
Awards:
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Diapason d’Or, December 2017, Nouveauté
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Ferociously alive… It’s been good to return to the album and its startling immediacy. — More…
Awards:
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Gramophone Magazine, May 2006, Editor's Choice
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The instrumental contributions throughout are a real highlight…and Mields’s artless delivery makes for an attractive and infinitely listenable recital, even if musical passions never quite glow... — More…
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