Couperin, F - Pièces de clavecin I: Ordre 1ère in G major
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Bertrand Cuiller’s moderate tempos allow for Couperin’s often twisty ornamentation to be clear and unambiguous. As a set in the sequence, these are worthy demonstrations of the composer’s genius... — More…
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Cummings, beside being an exceptionally clean player, with intelligent phrasing....all his performances are marked by a vitality that is most pleasing. — More…
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Gramophone Magazine, Editor's Choice
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a musical personality of a beguiling charm, a quality rarely encountered in today's more severe musical climate...You are reminded, too, of a naturalness and insouciance far removed from so... — More…
Awards:
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Gramophone Magazine, January 2015, Re-issue of the Month
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Canadian keyboardist Kenneth Gilbert is a doyen of early music; his pioneering recording of Couperin’s Pièces de clavecin deserves its revival – these first three books shimmer. — More…
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this programme is a good introduction to a glorious century of French harpsichord music, a tribute not just to Immerseel and his seven composers but also to the makers and restorers of these... — More…
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Couperin: Complete Works for Harpsichord, Vol. 1 – L'Art de toucher le clavecin & 1st Ordre
Carole Cerasi (harpsichord)
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HARPSICHORD (Eternal)
Harald Hoeren (harpsichord), Laurence Cummings (harpsichord), Luc Beausejour (harpsichord), Elizabeth Farr (harpsichord), Lars Ulrik Mortensen (harpsichord), Gilbert Rowland (harpsichord), Alan Cuckston (harpsichord), Sebastien Guillot (harpsichord), Sergio Vartolo (harpsichord), Gerald Hambitzer...
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A Guided Tour of the Baroque Era, Vol. 3
Kym Amps (soprano), Ian Honeyman (tenor), Christopher Robson (counter-tenor), Thomas Guthrie (bass), Susan Bisatt (soprano), William Purefoy (counter-tenor), Jeni Bern (soprano), Laurence Cummings (organ), Terence R. Charlston (harpsichord), Matthew Dirst (harpsichord), Jean-Baptiste Robin (organ),...
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