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Uhlig does Schumann proud in every respect. He mantains an admirable balance of brilliance and good sense, with superb voicing, delineating every silken skein of the cat-'s cradle textures with... — BBC Music Magazine, February 2012, 4 out of 5 stars More…

Christoph Prégardien and Michael Gees offer intelligent, compelling musicianship. More raw emotion would bring these songs to life, but still, these are polished performances. — BBC Music Magazine, October 2019, 3 out of 5 stars More…

Uhlig has already shown that he is a perceptive Schumann interpreter, but his playing here, especially in the extrovert Faschingsschwank pieces, can seem a little staid and monochrome — The Guardian, 29th November 2012, 3 out of 5 stars More…

Uhlig's playing is in many ways exemplary: graceful, light of touch, strong of srping and in excellent control of voicing while navigating Schumann's intricate textures...[His] approach is unsentimental... — BBC Music Magazine, Christmas 2012, 3 out of 5 stars More…

Uhlig has come up with a delightful concept for its fifth volume: music that Schumann wrote for his three eldest daughters...Uhlig's playing ranges from the absolutely excellent to the slightly... — BBC Music Magazine, September 2013, 4 out of 5 stars More…