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Uhlig does Schumann proud in every respect. He mantains an admirable balance of brilliance and good sense, with superb voicing, delineating every silken skein of the cat-'s cradle textures with... — BBC Music Magazine, February 2012, 4 out of 5 stars More…

Uhlig has already shown that he is a perceptive Schumann interpreter, but his playing here, especially in the extrovert Faschingsschwank pieces, can seem a little staid and monochrome — The Guardian, 29th November 2012, 3 out of 5 stars More…

Uhlig's playing is in many ways exemplary: graceful, light of touch, strong of srping and in excellent control of voicing while navigating Schumann's intricate textures...[His] approach is unsentimental... — BBC Music Magazine, Christmas 2012, 3 out of 5 stars More…

Uhlig has come up with a delightful concept for its fifth volume: music that Schumann wrote for his three eldest daughters...Uhlig's playing ranges from the absolutely excellent to the slightly... — BBC Music Magazine, September 2013, 4 out of 5 stars More…

This release oozes integrity, both in musicological and performance terms. Right from the off, Uhlig offers revelatory Schumann playing. It is as if in these shorter pieces we encounter the... — International Piano, March 2020 More…

Florian Uhlig fairly bristles with musicianship, capturing to a remarkable degree Schumann's fascinating emotional and psychological complexity...Phrasing and articulation are so acutely detailed... — BBC Music Magazine, September 2010, 3 out of 5 stars More…

Uhlig tackles all of this challenging repertoire with empathy and finesse. Even intellectual studies and student efforts emerge from his hands as expressive music first and foremost. The voicing... — BBC Music Magazine, August 2014, 4 out of 5 stars More…