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this rewarding new release is a reminder of [Hindemith's] continued close affinity with the [viola]...Virtuosity is not so much the music's aim as expressivity, yet Zimmermann plays with brilliance... — BBC Music Magazine, November 2013, 5 out of 5 stars More…

Poltéra is a joy in the Haydn concertos, the warmth of his elegant, lightly vibratoed solo line exposing ever so slightly the sometimes-tinny ‘period’ sound of an otherwise f lawless Munich... — BBC Music Magazine, December 2022, 4 out of 5 stars More…

Their playing is phenomenally accomplished…This is likely to be one of the chamber discs of the year. — BBC Music Magazine, Christmas 2017, 5 out of 5 stars More…

Neschling and the Sao Paulo Symphony Orchestra relish the half-chance to swing, and this is a contented, light-on-its-feet performance. I can't help but feel that Mathis der Maler gets boggeed... — BBC Music Magazine, February 2012, 4 out of 5 stars More…

Hammond casts her net with a flairfulness and acuity ‘rich in contrast’ (to purloin Sofia Gubaidulina’s description of her 1963 Chaconne which, under Hammond’s exhilaratingly determined fingers,... — BBC Music Magazine, April 2021, 4 out of 5 stars (Performance) / 5 out of 5 stars (Performance) More…

there is much to admire in Poltera's immense technical command and forthright technical command and forthright expressiveness, although finessed light and shade...are sometimes in rather short... — BBC Music Magazine, February 2015, 3 out of 5 stars More…

The E major Sonata of 1935 is brief (under 10 minutes long) and uncomplicated, yet it's familiar Hindemith from first note to last. The C major work (1939) is more complex and grave, and probably... — Gramophone Classical Music Guide, 2010 More…