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In this outstandingly accomplished selection of 18th-century operatic arias, Camilla Tilling demonstrates just how rewarding such albums can be when executed with the most genuine kind of musico-dramatic... — BBC Music Magazine, May 2017, 5 out of 5 stars More…

The al fresco exuberance of 'Bei dir allein' gets this recital off to a delectable start: Camilla Tilling's vernal tone is fresh and smiling, her phrasing both shapely and feurig, as Schubert... — Gramophone Magazine, July 2012 More…

Tilling is on ravishing form in this beautifully paced album of Romantic and Expressionist songs; the balance between Tilling and Paul Ravinius’s sensitive playing is nigh-on perfect. — BBC Music Magazine, March 2020, 5 out of 5 stars More…

Camilla Tilling uses her light lyric soprano to trace the echoes and glints of folksong in the melodic shape and harmonic underpinning of many of these songs of the North. Minimal vibrato and... — BBC Music Magazine, December 2015 More…

The programme interweaves familiar songs with comparative rarities such as Junghexenlied and Mein Auge. Her Ophelia Lieder, placed at the halfway mark and gleaming with aggression as well as... — The Guardian, 8th May 2009, 4 out of 5 stars More…

[In] subtle parody and deadpan wit, Dausgaard has a kinship with Klemperer's particular approach to [A Midsummer Night's Dream]…like Masur, and few others, Dausgaard finds a true andante rather... — Gramophone Magazine, January 2016 More…