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Eschenbach and Barto make a delightful partnership [in Debussy's arrangement of Six Studies] in another score that does not merit its current neglect. — Gramophone Magazine, June 2010 More…

The Klaviermusik, in essence a four-movement concerto, proves to be no mere curiosity but vintage Hindemith of its period… Leon Fleisher, who not so long ago regained the use of his right hand... — BBC Music Magazine, May 2009, 4 out of 5 stars More…

It’s every bit as exciting as the first volume...[No. 4] opens with a pungent fanfare, its colours stemming from jazz-band instrumentation and the absence of orchestral violins. Stephen Waarts... — BBC Music Magazine, December 2020, 5 out of 5 stars More…

Eschenbach opens with Martinů's Memorial to Lidice… this performance serves to intensify an overriding feeling of despair, the Philadelphians responding with a chilling incisiveness particularly... — BBC Music Magazine, January 2006, 5 out of 5 stars More…

Saariaho has always had an extraordinary ear for a beauty of sound, best described in terms of light. …performances have that extra edge which live recording brings. — BBC Music Magazine, September 2008, 4 out of 5 stars More…

I wasn’t expecting the breadth of the concerto’s opening to be as successfully captured, not just in Carpenter’s plangent, vocal sound, but with the intimate warmth of the Philharmonia, and... — Charlotte Gardner, bbc.co.uk, 14th September 2007 More…

Eschenbach and the NDR Symphony Orchestra give a fine performance, in quite spacious tempos…[and] the recorded sound is good - you wouldn't know it is 'live' — BBC Music Magazine, February 2016, 4 out of 5 stars More…