Linn

The players of the upper lines are well matched in tone and approach, over purposeful continuo support and in clear textures, well caught by the recording. It’s a pleasure to hear this talented... — BBC Music Magazine, October 2019, 4 out of 5 stars More…

This genial and amiable disc is a joy to listen to. — BBC Music Magazine, June 2022, 4 out of 5 stars More…

Here is Byrd composing for Protestants: and what wondrous stuff it is – both a magnificent expression of the aesthetic liturgical leanings encouraged by Elizabeth I, and an anti-Calvinist celebration... — Choir & Organ, July 2019, 5 out of 5 stars More…

Dipping in and out of the minor mode, but mostly dwelling in the sunlit major, these beautifully turned works pass a very pleasant hour, even if they lack the explorative and emotional qualities... — BBC Music Magazine, September 2023, 5 out of 5 stars (Performance) / 4 out of 5 stars (Recording) More…

With each instrumental sound identical, it is all clear as day. Kuniko’s musicianship is colossal from bongo to piccolo…Hearing Kuniko’s voice in harmony with itself, and the forest of overtone... — Gramophone Magazine, November 2018 More…

Butt ’s vision for the Great Mass underlines Mozart ’s debt to Bach and Handel, full of ecclesiastical brilliance in the Credo and Sanctus thanks to Kemme’s historically informed trumpet and... — BBC Music Magazine, December 2023, 4 out of 5 stars More…

There’s an impressive level of excellence throughout, though Swensen is adaptable to moods between and within concertos…I love his natural way with slow movements, especially Mendelssohn’s and... — BBC Music Magazine, February 2019, 5 out of 5 stars More…

Richard Egarr and Alexandra Nepomnyashchaya are superb advocates blending virtuosity and understated elegance in performances that truly inhabit the music. For some ears the 1848 Pleyel on which... — BBC Music Magazine, January 2022, 5 out of 5 stars More…