Linn

The performances are excellent, with Richard Tunnicliffe irresistibly mixing grace and virtuosity. — MusicWeb International More…

Huggett's playing is pliant and effortless, her distinctive sound very much the ensemble's hallmark. Gambist Emilia Benjamin makes light work of Marais's virtuoso passagework...while James Johnson... — BBC Music Magazine, July 2013, 4 out of 5 stars More…

This fine ensemble, founded to investigate the previously unknown music of the Newcastle composer Charles Avison, takes on his London contemporary with tremendous panache...Pavlo Beznosiuk's... — BBC Music Magazine, September 2010, 5 out of 5 stars More…

Harp recitals are almost bound to be appealing, such is the instrument’s seductiveness, but this one has substance, too. — Sunday Times, 20th September 2015 More…

Whelan’s alert direction ensures an effortless fluency that strikes a fruitful rapport between the well-matched vocal quartet and instrumental playing instinct with freshness and vitality. — BBC Music Magazine, September 2022, 4 out of 5 stars (Performance) / 5 out of 5 stars (Recording) More…

The performances are first-rate; one especially notes that the choir’s diction remains intelligible even in a somewhat reverberant acoustic with accompanying instruments. — Fanfare, Mar/Apr 2024 More…

Fliter differs from most by devising a running order full of intriguing juxtapositions, as did Earl Wild. Such programming savvy makes sense if you plan on listening to all of the Nocturnes... — Gramophone Magazine, October 2018 More…

Freeman-Attwood’s sound is mellifluous and gentle, delicately inflected with vibrato, especially in ‘With thee th’unsheltered moor I’d tread’ from Solomon. He is complemented by Szałucka’s deft... — BBC Music Magazine, February 2024, 4 out of 5 stars (Performance) / 5 out of 5 stars (Recording) More…