Linn
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The musicians respond to Lawes's complex and variegated emotions with playing by turns buoyant and vigorous, graceful and serene. They delight, too, in his quirky wit...[in Consorts to the Organ]... — More…
Awards:
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BBC Music Magazine Awards, 2016, Chamber Finalist
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Gramophone Magazine, June 2015, Editor's Choice
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Gramophone Awards, 2016, Finalist - Baroque Instrumental
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Ravel & Duparc: Aimer et mourir
RecommendedDanses et Mélodies
Magdalena Kožená (mezzo)
Deutsches Symphonie-Orchester Berlin, Robin Ticciati
The prevailing mood of the first two thirds of the disc is one of heady sensuality, rooted in careful appraisal of sonority and texture and in a fondness for, and an ability to sustain, slower... — More…
Awards:
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Presto Editor's Choice, September 2018, Editor's Choice
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Gramophone Magazine, November 2018, Editor's Choice
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Presto Recordings of the Year, Finalist 2018
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Handel: Acis and Galatea
RecommendedSusan Hamilton, Nicholas Mulroy, Thomas Hobbs, Nicholas Hurndall Smith & Matthew Brook
Dunedin Consort & Players, John Butt
The chief strength of this account lied in the excellent instrumental playing (the recorders that form the 'warbling choir' addressed in Galatea's first aria are sheer magic)… — More…
Awards:
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Building a Library, July 2009, First Choice
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Gramophone Awards, 2009, Finalist - Baroque Vocal
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Gramophone Magazine, January 2009, Disc of the Month
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The performances, though on modern instruments, pay attention to matters of period style - every repeat observed, careful balance between parts…the SCO is everywhere on wonderfully characterful... — More…
Awards:
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Presto Recording of the Week, 18th September 2015
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Presto Recordings of the Year, Finalist 2015
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Marais & Forqueray: La Gamme (et autres morceaux de simphonie)
Trio Sonnerie: Monica Huggett (baroque violin), Emilia Benjamin (viola da gamba) & James Johnstone (harpsichord)
Huggett's playing is pliant and effortless, her distinctive sound very much the ensemble's hallmark. Gambist Emilia Benjamin makes light work of Marais's virtuoso passagework...while James Johnson... — More…
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Bach: Partitas (Re-Imagined for Small Orchestra by Thomas Oehler)
Royal Academy of Music Soloists Ensemble, Soloists from The Glenn Gould School, Trevor Pinnock
As is so often the case with arrangements of familiar repertoire, particularly canonical Germanic tonal music, a change of performing media reveals the works anew...Oehler’s craft reveals the... — More…
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Barsanti’s Op. 3 concerti grossi (published in 1742) are exuberant and felicitous works, faintly Handelian in style (the two men knew each other) but infused to an even greater degree with an... — More…
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There are lots of positives…, not least the hugely responsive playing of the Deutsches Symphonie-Orchester and Linn’s warm but wonderfully clear recording. Furthermore, Ticciati’s sophisticated... — More…
Awards:
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International Classical Music Awards, 2022, Nominated - Symphonic Music
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Felix Mendelssohn: Lieder ohne Worte
Arr. for Violin and Piano by Ferdinand David
Michael Barenboim (violin), Natalia Pegarkova-Barenboim (piano)
Perhaps Barenboim’s style is being limited by notions of what is appropriate to the 1830s-40s...Barenboim is well partnered by Pegarkova-Barenboim, making a seamless and affectionate duo, and... — More…
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