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In Fraser’s performance, space opens up between your ears and the recorded environment, terrain into which the music unfolds — Gramophone Magazine, May 2017 More…

The piano-writing [in Choralvorspiele] ranges from manic to stark: from the note-spinning of the fifth movement, reminiscent of the ‘High’ Baroque at its most obsessive, to, at the other extreme,... — Gramophone Magazine, November 2018 More…

Hope has evolved a style that supersedes the notion of genre, drawing together mainstream avant-garde and experimental traditions, acousmatic music and sonic design, noise, found objects and... — Gramophone Magazine, October 2017 More…

the piano writing in Structures Book 2 is thrillingly brilliant, and it makes a wonderful contrast to the cool discontinuities of Cage's pieces, with their plucked and strummed notes, percussive... — The Guardian, 3rd March 2011, 3 out of 5 stars More…