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Prokofiev: Cello Concerto, Op. 58; Ballade For Cello & Piano
Rohan de Saram, Druvl de Saram, Netherlands Radio Philharmonic Orchestra & Anatole Fistoulari
Saram’s near-perfect intonation and his introspective cast, not always an asset when thrusting forward movement is needed, come into their own [in the cadenza of the Concerto]... it’s good to... — More…
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Mayer: Concertos
Sasha Rozhdestvensky (violin), Jonathan Mayer (tanpura, sitar), Shahbaz Hussain (tabla)
BBC National Orchestra of Wales, Debashish Chaudhuri
By far the most successful is John’s Violin Concerto No. 2 Sarangi ka Sangit. In its opening movement the violin, played with winning intensity by Sasha Rozhdestvensky, is surrounded by antiphonal... — More…
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Harmonic Labyrinth (The Con Gioia Recordings)
Rohan de Saram (cello) & Preethi de Silva (harpsichord)
it is an eclectic assemblage of music that nevertheless reveals much about the artists, both Sri Lankan by birth. The contributions from each of the musicians reflect some of the major influences... — More…
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The wind ensemble is most effective in the rousing battle pieces, where one senses less the absence of words and voice. Blondel’s playing throughout is finely controlled – phrased and articulated... — More…
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Prokofiev: Montagues and Capulets from Romeo and Juliet, Op. 64
Orquestra Sinfónica Portuguesa, Álvaro Cassuto
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