First Hand

Violinist Sasha Rozhdestvensky (son of the late conductor), rather close-miked as if in a 1950s recording, plays fluently though not, perhaps, drawing the music’s last ounce of expressive meaning.... — BBC Music Magazine, ****/*** More…

Lasting between three-and-a-half and six minutes, these highly idiomatic works are a testament to the intimate, tactile nature of the connection between instrument and player, and the appeal... — BBC Music Magazine, March 2024, 5 out of 5 stars More…

The main event is the first-ever recording of the complete, original set of Six Partitas by Johann Joseph Vilsmaÿr…[these] are challenging polyphonic works, full of double- and triple-stops,... — Gramophone Magazine, February 2016 More…

These are lovely, subtle works, and I hope that Skempton finds a broad audience on both sides of the Atlantic. Listeners who appreciate the music of Gavin Bryars probably will respond to Skempton... — Fanfare, May/June 2020 More…

His sound is bright, muscular and clean, and he brings out all the wit and delicacy of Haydn’s invention; his articulation is immaculate no matter how fast he goes; and he responds imaginatively... — BBC Music Magazine, January 2019, 5 out of 5 stars More…

[Janowitz] is in remarkably fresh voice throughout. There’s a certain loss of bloom, inevitably, and an occasional brittleness of intonation, but the unique sound is unmistakable, the delivery... — Gramophone Magazine, September 2017 More…

The Walton Symphony...comes up more brightly than previously: it's an intensely rhythmic performance...the slow movement builds surely and passionately, and the finale comes as the culmination... — BBC Music Magazine, October 2010, 3 out of 5 stars More…