ECM

Tre Voci's exceptional musicianship makes apparent the creative kinship between these three beautiful works...Tre Voci brave the potentially harsh light of a close recording so that every nuance... — BBC Music Magazine, Christmas 2014, 5 out of 5 stars More…

…some soothing music-making - the improvised pieces are gentle and undemanding on the listener - broken up occasionally by the more forcefully active and virtuoso music of the sonatas, which... — Gramophone Magazine, July 2006 More…

Cuckson and her stage-fellow Blair McMillen sound almost as though they had this music in their blood…they manage to sound assertive but not unkempt, ponderous but not lugubrious, bringing plenty... — Gramophone Magazine, September 2016 More…

When Hartmann opted for internal exile during the Nazi era, he took with him some key influences from the free musical world. Beam up around 0'33" into the third movement of the 1939 Concerto... — Gramophone Classical Music Guide, 2010 More…

Piano music seldom comes so bare and unadorned: the usual recipe is a single-note melody in the right hand with a single-note accompaniment in the bass…The soundworld of a grand piano could... — BBC Music Magazine, February 2018, 5 out of 5 stars More…

Three of these middle-period works are short, but what riches they deliver, and all abundantly and robustly realised by Schiff. — BBC Music Magazine, Proms 2008, 5 out of 5 stars More…

The main attraction is Auerbach’s Sonata, the partnership between viola and piano more equal and richer in potential. Hauntingly beautiful. — BBC Music Magazine, January 2017, 4 out of 5 stars More…