ECM
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Bieri’s control and expressivity in Sciarrino’s haunting solo Let Me Die Before I Wake is astonishing. He’s a soulful communicator in Brahms’s elegiac Quintet, too. Meta4 provide sumptuous support. — More…
Awards:
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Opus Klassik Awards, 2020, Nominee - Instrumentalist of the Year
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Trio Mediaeval defend the corner for beautiful simplicity in this album — More…
Awards:
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BBC Music Magazine, November 2005, Choral & Song Choice
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English Renaissance Music
A recital which contrasts the inspirational work of Thomas Tallis, Christopher Tye and John Sheppard
David James (countertenor), Rogers Covey-Crump (tenor), Steven Harrold (tenor), Gordon Jones (baritone) & Robert Macdonald (bass)
The Hilliard Ensemble
The ensemble is flawless and the sound reproduction crystalline. — More…
Awards:
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Gramophone Magazine, October 2008, Editor's Choice
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John Holloway plays four sonatas from the set of eight Biber published in 1681 and also dedicated to the archbishop. First, however, comes a curiosity: an adaptation by Andreas Anton Schmelzer... — More…
Awards:
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Gramophone Magazine, March 2005, Editor's Choice
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András Schiff's Beethoven Sonata cycle… continues to be stimulating and provocative, always forcing one to hear such familiar music in a new light. As he approaches the final sonatas of the... — More…
Awards:
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BBC Music Magazine, August 2007, Instrumental Choice
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Silvestrov presents compositional tour de force in this intriguing programme…this musical concoction somehow casts a magical spell, drawing you into the intimacy of Silvestrov’s musical language... — More…
Awards:
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Gramophone Awards, 2018, Shortlisted - Contemporary
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The first movement of the big C major Sonata is conceived very much on orchestral lines with a dramatic variety of colouring and characterisation, as well as an unexpected use of the sustaining... — More…
Awards:
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Building a Library, December 2010, First Choice
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Pärt: Lamentate
Alexei Lubimov (piano)
SWR Sinfonieorchester Stuttgart & The Hilliard Ensemble, Andrey Boreyko
After a subterranean rumble, a sorrowful fanfare makes way for an ascent of the solo piano keyboard, and a shuddering orchestral climax that sets the tolling of alarm bells against a Mahlerian... — More…
Awards:
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Gramophone Magazine, November 2005, Editor's Choice
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