Dynamic
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Mercadante: Messa Solenne
Francesco Meli, Matteo Lippi, Mario Cassi, Nicola Ulivieri, Orchestra e Coro dell’Opera Carlo Felice Genova, Fabrizio Callai
Callai conducts with dramatic thrust as well as suppleness in lyrical passages. The Opera Carlo Felice Genoa choral and orchestral forces are more than adequate under Callai’s energetic, idiomatic... — More…
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Leoncavallo: Pagliacci
Valeria Sepe (Nedda), Angelo Villari (Canio), Davide Cecconi (Tonio), Matteo Mezzaro (Beppe), Leon Kim (Silvio); Orchestra a Coro del Maggio Musicale Fiorentino; Valerio Galli
This is an enjoyable, effective performance of Leoncavallo’s work. Angelo Villari is a powerful singer, with impressive ringing tone, even if he doesn’t quite command the feral strength one... — More…
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Haydn: Die Schöpfung
Hanna-Elisabeth Müller (soprano), Maximilian Schmitt (tenor), Michael Volle (baritone), Orchestra e Coro del Maggio Musicale Fiorentino, Zubin Mehta
2 CDs
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Puccini: Gianni Schicchi
Bruno de Simone (Gianni Schicchi), Francesca Longari (Lauretta), Anna Maria Chiuri (Zita), Dave Monaco (Rinuccio), Costanza Fontana (Nella), Antonio Garés (Gherardo), Giada Frasconi (La Ciesca), Francesco Venuti (Betto di Signa), Eugenio Di Lieto (Simone)
Orchestra del Maggio Musicale Fiorentino,...
Bruno de Simone is an amiable, bespectacled Schicchi who could win anyone around with his mellow voice and floral shirt. He sparks off nicely against Anna Maria Chiuri, an unusually young ‘vecchia’... — More…
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2 CDs
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Offer,
Verdi: Otello Stuart Neill (Otello), Jessica Nuccio (Desdemona), Roberto Frontali (Jago), Tamta Tarieli (Emilia), Manuel Pierattelli (Roderigo), Seung Pil Choi (Lodovico), Giacomo Medici (Montano), Franco Di Girolamo (A Herald)
Fondazione Orchestra Regionale delle Marche, Riccardo Frizza
Neill is tireless as Otello, the voice and diction clear throughout and the stamina impressive. Much of his acting is thoroughly rudimentary but he rises to a moving 'Niun me tema'...[Nuccio]... — More…
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This performance is beautifully paced and imbued with the spirit of the dance. It gives the impression of an interpretation long marinated. What can be said of the quartet’s sound – edgy, steely,... — More…
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