Channel

Bach's technical wizardry is most apparent in the combination of chorale and fugue in Fürchte dich nicht. Dijkstra presents this with clarity and works up to a strong affirmative ending. — Gramophone Magazine, August 2008 More…

Her brilliance as a harpist is amply demonstrated in all of the pieces making up this recital...The recording is clear and immediate — Gramophone Magazine, May 2010 More…

Florilegium takes a modern stance - one-to-a-part 'period' instruments at 'Baroque' pitch. Technically they're superb: there's immaculate intonation in pairs of unison strings...They're characterful... — BBC Music Magazine, April 2015, 4 out of 5 stars More…

A bewitching recital from first note to last. — Gramophone Magazine, May 2009 More…

Johann Sebastian Bach… wrote Cantata 82, Ich habe genug, in 1727… Florilegium play it with touching gentleness, a filigree of one-to-a-part strings, Ashley Solomon's soft-toned baroque flute,... — BBC Music Magazine, September 2007, 5 out of 5 stars More…

The Weinberg is wonderfully played by Nicolas Altstaedt, who brings tone both muscular and soft-grained to illuminate the work’s contrasting facets…this is a notably warm performance thanks... — BBC Music Magazine, Christmas 2016, 4 out of 5 stars More…

This set proposes a kind of luxury musical package- tour for the jet-set age – today expressionist Austria, tomorrow Slavic fantasy, the day after high-romanticism in Germany, and then away... — Gramophone Classical Music Guide, 2010 More…