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[Immerseel] sees beyond the mere timbre itself and looks to the bristling impact that the music must have made when it was new...the freshness of Debussy's imagination is underlined by performances... — More…
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Beethoven: Violin Concerto & Romances
Lorenzo Gatto (violin)
Orchestre de Chambre Pelléas, Benjamin Levy
Gatto is well equipped to play the Beethoven Concerto. His clear, ringing tone, coupled with an ability to play the exposed high passages with pure intonation, are joined to an expressive, unmannered... — More…
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Bach, J S: St John Passion, BWV245
Julian Prégardien (Evangelist), Benoît Arnould (Christus), Dominik Wörner (Peter/Pilate), Salomé Haller, Tanya Aspelmeier (sopranos), Julien Freymuth, Pascal Bertin (countertenors), Michael Feyfar, Philippe Froeliger (tenors)
La chapelle Rhénane, Benoît Haller (direction)
This wonderful recording is unusual in that (with two important exceptions) it presents Bach's second thoughts...Under the direction of Benoît Haller, the drama unfolds with breathtaking vigour.... — More…
2 CDs
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Matthias Weckman: Abendmusiken
Eugénie Warnier & Benoît Arnould, Damien Guillon, Robert Getchell & Benoît Arnould, Eugénie Warnier
Ensemble Les Cyclopes, Bibiane Lapointe & Thierry Maeder
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Poulenc: Concerto pour deux pianos et orchestre, Concert Champêtre & Suite Française
Jos van Immerseel (piano, harpsichord, conductor), Claire Chevallier (piano) & Katerina Chrobokova (harpsichord)
Anima Eterna Brugge
Bruges's finest have made a stunning attempt to create the 1930s Parisian sound. As well as the orchestral poster-colours, they employ Erard pianos to give the Double Concerto an entrancing... — More…
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