Signum
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Be All Merry
RecommendedThe Choral Scholars of University College Dublin, Irish Chamber Orchestra, Desmond Earley
No fewer than half the choir’s two-dozen members step out for solos, revealing the in-depth quality of Earley’s singers. The glowing tonal blend that he elicits is a constant pleasure, and there’s... — More…
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Presto Recording of the Week, 27th November 2020
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The notion of a musical journey may be a cliché, but this intelligent collection is no hackneyed metaphorical package tour…What makes these travels so beguiling is the combination of Bevan and... — More…
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Gramophone Awards, 2018, Shortlisted - Solo Vocal
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Cantos Sagrados
Ešenvalds, Macmillan, Musgrave, Tippett, Whitacre
National Youth Choir of Scotland, Royal Scottish National Orchestra, Christopher Bell
Christopher Bell’s beautifully assembled programme is completed by Biebl’s attractive setting of the Ave Maria. In addition to their impeccable tuning, vocal balance and tone quality, you can... — More…
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Gramophone Magazine, August 2020, Editor's Choice
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Always a thoughtful and expressive artist, Connolly performs the Mahler songs with the utmost sensitivity and feeling. Her diction is lovely and her legato exquisite. Connolly and pianist Joseph... — More…
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Presto Editor's Choice, July 2023
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Clara Schumann and Edvard Grieg Piano Concertos Alexandra Dariescu (piano)
Philharmonia Orchestra, Tianyi Lu
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These are athletic, upfront performances, clear in texture, forthright in tone and bold in articulation…But there’s greater flexibility and a sly wit at work in the First Quartet…A rewarding... — More…
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Bartók: Duke Bluebeard's Castle, Sz. 48, Op. 11 Sir John Tomlinson (Bluebeard), Michelle DeYoung (Judith) & Juliet Stevenson (narrator)
Philharmonia Orchestra & Philharmonia Voices, Esa-Pekka Salonen
Salonen conducts a taut, luxuriant reading that captures the score’s majesty and mystery. John Tomlinson’s Bluebeard makes up in histrionic heft what he has lost in vocal poise, but is overshadowed... — More…
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Opera, June 2014, Recording of the Month
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Connolly woos her audience with the calling-card for any and every mezzo: Haydn's dramatic cantata, Arianna a Naxos. And every second of its nervous and emotional life - its hopes, fears and... — More…
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Gramophone Magazine, May 2006, Editor's Choice
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Johann Sebastian Bach: The Complete Organ Works Vol. 1
RecommendedDavid Goode (organ of Trinity College Chapel, Cambridge)
One thing that immediately leaps out is the use of some quite extensive ornamentation – not merely mordents and so forth, but brillante scalic flourishes leading into cadences...The range of... — More…
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Presto Recording of the Week, 5th February 2016
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Nethsingha asks a lot of his 33 singers in terms of nuance and dynamic contrast – far more than most collegiate choirs are capable of – and their corporate virtuosity is palpable in a thrillingly... — More…
Awards:
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Gramophone Magazine, June 2021, Editor's Choice
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