PHI
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Dvořák: Stabat Mater, Op. 58
Ilse Eerens (soprano), Michaela Selinger (alto), Maximilian Schmitt (tenor) & Florian Boesch (bass)
Collegium Vocale Gent - Royal Flemish Philharmonic, Philippe Herreweghe
Herreweghe's tempo in the epic first movement is relatively brisk, which makes its central section seem slightly rushed. Pity, since the soloists are excellent and the choral sound is nicely... — More…
Awards:
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Gramophone Magazine, July 2013, Disc of the Month
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Gramophone Awards, 2014, Shortlisted - Choral
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Stravinsky: Threni - Requiem Canticles
Christina Landshamer (soprano), Ewa Wolak (contralto), Maximilian Schmitt (tenor)
Collegium Vocale Gent & Royal Flemish Philharmonic, Philippe Herreweghe
Requiem Canticles may be a wonderfully compressed… butThreni is an even greater masterpiece, which deserves a place among his finest achievements. Herreweghe’s superb performance leaves no doubt... — More…
CD
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Byrd's repertory is familiar largely through English recordings. Departing radically from that tradition, Philippe Herreweghe renews the power of Byrd's masterpieces with sensual, intimate,... — More…
CD
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the choir makes a careful distinction between those pieces that depict events, and those that meditate upon them...Herreweghe also coaxes some very expressive moments from the choir (the dark... — More…
2 CDs
$27.75Downloads
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Haydn: Die Schöpfung
Christina Landshamer (soprano), Maximilian Schmitt (tenor) & Rudolf Rosen (baritone)
Collegium Vocale Gent & Orchestre des Champs-Élysées, Philippe Herreweghe
[the music] bursts from the speakers with the same combination of vigour, technical accomplishment and, above all, unforced pleasure in Haydn's cornucopian invention that should make even the... — More…
Awards:
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Sunday Times, 2015, Albums of the Year
2 CDs
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2 Vinyl Records
$37.00Downloads
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JS Bach: Du treuer Gott
Leipzig Cantatas BWV 101 – 103 – 115
Collegium Vocale Gent, Philippe Herreweghe
Collegium Vocale Gent rise to the occasion splendidly, sounding responsive and sensitive to the thoughtful direction of Philippe Herreweghe. The 12-voice choral texture is ideal, achieving greater... — More…
Awards:
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Record Review, 11th November 2017, Recording of the Week
CD
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Gesualdo: Dolcissima Mia Vita. Madrigali A Cinque Voci, Libro Quinto (1611)
Philippe Herreweghe
Collegium Vocale Gent
These one-to-apart performances are perfect for navigating the gnarly dissonances and extreme expression of Italy’s controversial Renaissance great, as emotions run from ecstasy to deepest pain. — More…
Awards:
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International Classical Music Awards, 2022, Nominated - Baroque Vocal
CD
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The one-voice-to-a-part lobby doesn't wholly convince Herreweghe; he approaches the instrumentation of each motet on a case-by-case basis, cornetto and trombones lending grandeur to a finely... — More…
Awards:
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Presto Recording of the Week, 4th July 2011
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JS Bach: Ach süßer Trost!
Leipzig Cantatas
Hana Blažiková (soprano), Damien Guillon (alto), Thomas Hobbs (tenor), Peter Kooij (bass)
Collegium Vocale Gent, Philippe Herreweghe
the choral sound is lean and alert, helped by lively tempos. Its near-solo tone, though, mingles rather than contrasts with the similar-scaled orchestra...Of the soloists, Thomas Hobbs is outstandingly... — More…
Awards:
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Gramophone Magazine, February 2013, Editor's Choice
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