Onyx

At his best Wosner is capable of freshly illuminating these sonatas, which allows me to give an unhesitating recommendation. If I had to generalize, Wosner’s playing doesn’t lean too far toward... — Fanfare, Jul/Aug 2020 More…

The main interest of this disc lies in the Czerny pieces. Very few of his thousand plus piano works are played today, and the Rode variations do indeed reflect a felicitous talent, with their... — BBC Music Magazine, November 2016, 4 out of 5 stars More…

[In the Cello Sonata] Elschenbroich and Limonov plot a daringly extreme course, their first movement more tautly conceived, the central scherzo a positive whirlwind. The finale goes to the other... — Gramophone Magazine, March 2017 More…

Strauss was 21 when he wrote it, and it reflects his bursting confidence in what he could do…it’s just a firework display – but it does showcase Moog’s technical prowess. — BBC Music Magazine, May 2018, 3 out of 5 stars More…

These four fine players are consistently musical in their approach and there is nothing outlandish or suspect about their interpretations. And therein perhaps lies their weakness, for it's precisely... — Gramophone Magazine, January 2012 More…

this is a unique sequence, showing that most of the earliest settings which sit alongside the more familiar numbers, usually linked by theme, are just as finely-wrought and no less typical of... — BBC Music Magazine, Christmas 2012, 4 out of 5 stars More…

Rarely do you hear, even in the rarefied world of French melodie and German Lieder, a baritone who sings with such subtlety in shading of dynamic and tone as the Dutch baritone Henk Neven...and... — Gramophone Magazine, February 2013 More…