Other Genres, Electronic Music, Boulez (composer)
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Boulez: Sur Incises, Messagesquisse and Anthèmes 2
RecommendedEnsemble Intercontemporain, Pierre Boulez
Awards:
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Gramophone Awards, 2001, Winner - Contemporary
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Boulez: Sur Incises, Messagesquisse and Anthèmes 2
RecommendedJean-Guihen Queyras (cello), Hae-Sun Kang (violin)
Ensemble InterContemporain, Ensemble de Violoncelles de Paris
Awards:
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Gramophone Awards, 2001, Winner - Contemporary
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The title 'Caprices' belies the serious rapport which Arditti nurtured over decades with Carter, Nunes, Boulez and Sciarrino…The works, too, are hardly whimsical but represent a quarter-century... — More…
Awards:
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The Times Records of the Year, 2017
CD
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Boulez: Le marteau sans maître, Éclat & Dialogue de l'ombre double
RecommendedKatalin Károlyi (mezzo), Pascal Gallois (bassoon)
International Contemporary Ensemble
Here is an American ensemble who show that nothing is impossible…one understands at last what the young Boulez heard in his head. Katalin Karolyi adds both expression and ferocity to the mix. — More…
Awards:
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Building a Library, February 2018, Also Recommended
CD
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A superb tribute comprising live recordings of solo and chamber pieces…Le Marteau sans maître [is] conducted with age-defying vigour by Boulez himself and exquisitely sung by Hilary Summers…Dérive... — More…
Awards:
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The New York Times, Recordings of the Year 2017
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Boulez: Répons & Dialogue de L'Ombre Double
RecommendedAlain Damiens (clarinet)
Ensemble InterContemporain, Pierre Boulez
Awards:
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Grammy Awards, 42nd Awards (1999), Best Contemporary Classical Composition
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44 CDs
$208.25 -
Dialogue, Chemins, Récit…
Vincent David (saxophone)
Ensemble Quaerendo Invenietis, Renaud Déjardin (director)
Chemins IV is better known in its oboe-and-strings manifestation, though David's incisive playing provides a much sharper contrast to the body of strings than any oboe could, while the Duos... — More…
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Few bassoonists could hope to match Pascal Gallois when it comes to his extending of an all too limited repertoire...Nor does [the Berio] risk outstaying its welcome when the performance is... — More…
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