Chamber, Duodecets
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Awards:
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Grammy Awards, 43rd Awards (2000), Best Chamber Music Recording
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Hindemith's series of Kammermusik ('Chamber Music') began in 1921 as an iconoclastic response to the hyperintense emotionalism of German Expressionist music over the previous 15 years. It continued... — More…
Awards:
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Gramophone Awards, 1993, Winner - Orchestral
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2 CDs
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He takes the view that a noble reticence suits Elgar’s emotional world just as well as the huge intensity of Jacqueline du Pré, whose early recording he cites as an inspiration. Often this approach... — More…
Awards:
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Diapason d’Or, March 2020, Nouveauté
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The rock-band sound world of 2x5 is certainly new. Reich's sense of proportion, his ability to change direction just at the right moment, is as sure as ever. And the Double Sextet contains one... — More…
Awards:
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Gramophone Awards, 2011, Shortlisted - Contemporary
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Gramophone Magazine, Awards Issue 2010, Editor's Choice
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Ligeti - Clear or Cloudy
RecommendedMatt Haimovitz, Jacques Zoon, Douglas Boyd, Richard Hosford, James Sommerville, Matthew Wilkie, Claudio Abbado, Helmut Franz, Gerd Zacher, Jean-Guihen Queyras, Håkan Hardenberger, Roland Pöntinen, Jacques Zoon & Douglas Boyd, Aloys Kontarsky, Alfons Kontarsky, Gianluca Cascioli, Pierre-Laurent...
Awards:
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BBC Music Magazine, December 2006, Orchestral Choice
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Building a Library, January 2018, Also Recommended
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Ligeti: Atmosphères
Gerd Zacher
Wiener Philharmoniker, Chor des Norddeutschen Rundfunks, Ensemble Intercontemporain, London Sinfonietta, Claudio Abbado, Pierre Boulez, David Atherton
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Brett Dean - Composer and Performer Brett Dean (viola)
Sydney Symphony, The Cellists of the Sydney Symphony, Simone Young, Hugh Wolff
The concerto has plenty of good ideas – a brief, meditative introduction, a vivid hunt of soloist by orchestra, and finally a dank reverie, the elegiac quality of which is suffused with quasi-expressionist... — More…
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Hindemith: Kammermusik I-II-III; Kleine Kammermusik Xi Zhai, Christopher Park, Bruno Philippe
Kronberg Academy Soloists, Schleswig-Holstein Festival Orchestra, Christoph Eschenbach
Eschenbach’s focus is very fixedly on the earlier, wilder Hindemith in this first disc of a two-volume set...Tempos are swift and lively, the touch light not heavyhanded, relishing the fervid... — More…
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