Chamber, Trios, Bridge (composer)
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Frank Bridge's exploratory late chamber works can sound reticent, elusive in performance. Not here: fire, drama and intense fantasy abound, but there's no lack of refined control or shaping... — More…
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…Madeleine Mitchell…clearly relishes giving her wonderfully lyrical tone full rein, captured in fine sound, while Andrew Ball is a perfectly discreet accompanist. Strauss's Morgen' makes an... — More…
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Boasting strikingly truthful sound and balance, this is an enjoyable release, and I look forward to hearing more from this talented young ensemble. — More…
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Prokofiev: Five Pieces from Romeo & Juliet and other works Helen Callus (viola) & Phillip Bush (piano)
Helen Callus, a viola-player with exceptionally warm tone and perfect intonation, here offers a miscellany of transcriptions. A fine collection, superbly performed, very well recorded and sensitively... — More…
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Frank Bridge's two piano trios make a natural coupling. The 1907 Phantasie Trio is a prime example of the ruggedly mellifluous chamber style of his early years… The much larger Trio No. 2... — More…
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…what makes this Somm disc especially valuable is the spellbinding account of the Rhapsody Trio for two violins and viola, perhaps the most elusive and fantastic of Bridge's late chamber scores,... — More…
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