Concertos, Barber (composer)
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Tchaikovsky & Barber: Violin Concertos RecommendedJohan Dalene (violin)
Norrköping Symphony Orchestra, Daniel Blendulf
Dalene’s freshness, vitality and interpretative charisma [in the Tchaikovsky] swept me along…If anything, the Barber is finer still, perhaps the closest anyone has yet come (at least on disc)... — More…
Awards:
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Record Review, 25th January 2020
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Gramophone Magazine, February 2020, Editor's Choice
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BBC Music Magazine, March 2020, Concerto Choice
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Diapason d’Or, April 2020, Découverte
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Presto Recordings of the Year, Finalist 2020
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Barber: Cello Concerto & Sonata Christian Poltéra (cello), Christian Poltéra (cello) & Kathryn Stott (piano)
Bergen Philharmonic Orchestra, Andrew Litton
Poltera meets [the Concerto's] technical demands with almost complete ease, and projects the more lyrical moments with subtle inflections of line and beautifully centred tone...Poltera and pianist... — More…
Awards:
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Gramophone Magazine, February 2013, Editor's Choice
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Barber, Walton and Korngold: Violin Concertos
RecommendedJames Ehnes (violin)
Vancouver Symphony Orchestra, Bramwell Tovey
It's an inspired coupling, as well as a generous one, to have these three high-romantic concertos together. James Ehnes gives superb performances, bringing out their full emotional thrust without... — More…
Awards:
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Penguin Guide, Rosette
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Grammy Awards, 50th Awards (2007), Best Instrumental Soloist(s) Performance (with Orchestra)
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Chopin Evocations
RecommendedDaniil Trifonov (piano), with Sergei Babayan (piano)
Mahler Chamber Orchestra, Mikhail Pletnev
In this work, Trifonov staves off potential sentimentality and produces – as usual – an exquisite tone…Some listeners will undoubtedly miss the epic nature of the original orchestration, but... — More…
Awards:
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Presto Recording of the Week, 6th October 2017
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Presto Recordings of the Year, Finalist 2017
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The New York Times, Recordings of the Year 2017
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Opus Klassik Awards, 2018, Winner - instrumental (piano)
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Barber - Violin Concerto, Piano Concerto & Adagio For Strings
RecommendedIsaac Stern & John Browning
Leonard Bernstein, George Szell & Eugene Ormandy
Classic accounts of the lyrical Violin Concerto and the brilliant Piano Concerto - plus Eugene Ormandy's purposeful Adagio and Thomas Schippers's strong Second Essay for Orchestra. — More…
Awards:
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Grammy Awards, 7th Awards (1964), Best Contemporary Classical Composition
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Barber: Orchestral Works
RecommendedJohn Browning (piano), Kyoto Takezawa (violin), Steven Isserlis (cello), Leonard Slatkin (piano)
Boston Symphony Orchestra, Saint Louis Symphony Orchestra, Charles Munch, Leonard Slatkin
Awards:
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Building a Library, June 2006, Budget Choice
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Grammy Awards, 7th Awards (1964), Best Contemporary Classical Composition
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Grammy Awards, 34th Awards (1991), Best Classical Instrumental Solo Recording
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Three works that embody the ‘American sound’. I longed for more challenging fare from Higdon, beautiful as her scoring is; Harlin’s Rapture is arresting. Barber provides the meat. — More…
Awards:
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Grammy Awards, 62nd Awards (2019), Nominee - Best Classical Instrumental Solo
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Grammy Awards, 62nd Awards (2019), Winner - Best Contemporary Classical Composition (Higdon - Harp Concerto)
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Grammy Awards, 62nd Awards (2019)
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Awards:
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Grammy Awards, 41st Awards (1998), Best Chamber Music Recording
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Romantic Piano Concertos Akiko Sagara (piano), Michael Ponti (piano), Maria Littauer (piano), Martin Galling (piano), Felicja Blumental (piano), Rena Kyriakou (piano), Peter Rösel (piano), Hans Kann (piano), Roland Keller (piano), Jerome Rose (piano), Gil Sharon (violin), Bart van Oort (piano), Siegfried Stockigt (piano),...
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Barber: Concertos for Violin, Cello & Piano
RecommendedIsaac Stern (violin), Yo-Yo Ma (cello), John Browning (piano)
New York Philharmonic, Baltimore Symphony Orchestra, The Cleveland Orchestra, Leonard Bernstein, David Zinman, George Szell
Authoritative and affectionate accounts of the three concertos, in various recording vintages, make up a valuable compilation. — More…
Awards:
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Building a Library, January 2002, Mid-Price Choice
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Grammy Awards, 7th Awards (1964), Best Contemporary Classical Composition
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