Gerd Türk
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Bach, J S: Mass in B minor, BWV232 RecommendedCarolyn Sampson (soprano I), Rachel Nicholls (soprano II), Robin Blaze (alto), Gerd Türk (tenor) & Peter Kooij (bass)
Bach Collegium Japan, Masaaki Suzuki
The choir is small enough, two/three to a part, to project great clarity and detail - 'Osanna' is delightfully exuberant - though elsewhere Suzuki's tempos are rather deliberate… — More…
Awards:
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Presto Recording of the Week, 29th October 2007
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Gramophone Awards, 2008, Finalist - Baroque Vocal
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Diapason d’Or de l’Année, 2008
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Bach - Cantatas Volume 34 RecommendedCarolyn Sampson (soprano), Robin Blaze (counter-tenor), Gerd Türk (tenor) & Peter Kooij (bass)
Bach Collegium Japan, Masaaki Suzuki
On March 25, 1725, Bach celebrated the Feast of the Annunciation and Palm Sunday with a special cantata, Wie schön leuchtet der Morgenstern ('How beautifully shines the morning star'), a work... — More…
Awards:
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Penguin Guide, Rosette
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Bach - Cantatas Volume 55 RecommendedHana Blažíková (soprano), Robin Blaze (counter-tenor), Gerd Türk (tenor) & Peter Kooij (bass)
Bach Collegium Japan, Masaaki Suzuki
There's a striking transparency in even the densest of counterpoint...Over 18 years Suzuki seems to have subtly changed his relationship with Bach, from a reverential approach to confident familiarity.... — More…
Awards:
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Presto Recording of the Week, 11th November 2013
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Gramophone Magazine, December 2013, Editor's Choice
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Bach - Secular Cantatas VI RecommendedCarolyn Sampson (soprano), Joanne Lunn (soprano), Robin Blaze (counter-tenor), Gerd Türk (tenor) & Dominik Wörner (bass)
Bach Collegium Japan, Masaaki Suzuki
Bach Collegium Japan produce a delectable vision in quasi-Passion clothes…the choruses captivatingly detailed, luminous and with just enough galant accentuation…Suzuki delivers a captivating... — More…
Awards:
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Building a Library, June 2016, Also Recommended
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Bach - Cantatas Volume 46 Hana Blažíkova (soprano), Robin Blaze (counter-tenor), Gerd Türk (tenor) & Peter Kooij (bass)
Bach Collegium Japan, Masaaki Suzuki
The trio texture of two oboes d'amore and bass opening the soprano aria of BWV 19 is exquisite, their tone excellently matched by Hana Blažíkova as she enters to expand the texture to a quartet..... — More…
Awards:
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Gramophone Magazine, October 2010, Editor's Choice
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JS Bach: The Complete Secular Cantatas RecommendedLimited edition box set of the acclaimed recordings by Bach Collegium Japan
Bach Collegium Japan, Masaaki Suzuki
Awards:
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Building A Library, October 2021, Recommended Recording
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Bach - Cantatas Volume 54 Hana Blažíková (soprano), Damien Guillon (counter-tenor), Gerd Türk (tenor) & Peter Kooij (bass)
Bach Collegium Japan, Masaaki Suzuki
Suzuki balances detail sensitively, helped by the SACD sound...Hana Blažíková duets exuberantly with trumpet in her aria...this is a superb disc, Suzuki at one with Bach - and both at their... — More…
Awards:
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BBC Music Magazine, November 2013, Choral & Song Choice
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Bach - Cantatas Volume 53 Hana Blažíková (soprano), Robin Blaze (counter-tenor), Gerd Türk (tenor) & Peter Kooij (bass)
Bach Collegium Japan, Masaaki Suzuki
Suzuki's performance forces, 12-voice choir (including soloists) and three-to-a-part violins, are superbly clean and tidy while allowing him a generous dynamic and dramatic range. Highly commended. — More…
Awards:
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Gramophone Magazine, August 2013, Editor's Choice
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Bach - Cantatas Volume 31 Yukari Nonoshita (soprano), Robin Blaze (counter-tenor), Gerd Türk (tenor) & Peter Kooij (bass)
Bach Collegium Japan & Concerto Palatino, Masaaki Suzuki
…there are many fine solo contributions, from among which I would single out the sensitive partnership of Yukari Nonoshita and Robin Blaze in the vocally imitative duet of BWV 91. Gerd Türk... — More…
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JS Bach: Lutheran Masses II Hana Blažíková (soprano), Joanne Lunn (soprano), Aki Matsui (soprano), Robin Blaze (counter-tenor), Yusuke Fujii (tenor), Gerd Türk (tenor), Katsuhiko Nakashima (tenor), Dominik Wörner (bass), Peter Kooij (bass)
Bach Collegium Japan, Masaaki Suzuki
The Bach Collegium Japan alight on the aesthetic of the new liturgical context with supreme eloquence in both of these works. Suzuki judges the pacing with quiet authority, promoting a generous... — More…
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