Orchestre de Chambre de Lausanne

Capuçon throws down the gauntlet with a searingly intense performance of Tabula rasa (1977). The playing is impeccably controlled yet fiercely expressive…Throughout the album, Capuçon reveals... — BBC Music Magazine, November 2021, 5 out of 5 stars More…

He is a superb violinist in a particular mode of expressiveness: you are never likely to hear a sweeter, more finely spun, more precisely tuned sound at the top of the register than here...But... — BBC Music Magazine, December 2023, 4 out of 5 stars (Performance) / 5 out of 5 stars (Recording) More…

their new account under Heinz Holliger unfolds at relatively steady tempos, with more compositional logic than late Romantic passion...[Holliger's] deployment of a relatively small string line-up... — BBC Music Magazine, April 2014, 3 out of 5 stars More…

[Schoenberg's Kammersymphonie] calls for considerable virtuosity from each of its 15 solo players, and the Lausanne Chamber Orchestra under Heinz Holliger acquits itself very well...Holliger... — BBC Music Magazine, September 2022, 4 out of 5 stars More…

Weilerstein and the Orchestre de Chambre de Lausanne deliver strongly characterised performances of both works. I particularly admire Weilerstein’s incisive rhythmic control, heard at its most... — BBC Music Magazine, April 2021, 4 out of 5 stars (Performance) / 5 out of 5 stars (Recording) More…

While avoiding the more gimmicky extremes [in The Four Seasons], there is no lack of character as soloist or conductor from Renaud Capuçon...These galant style pieces [by Chevalier de Saint-Georges]... — BBC Music Magazine, December 2022, 4 out of 5 stars More…

The Fourth Symphony might be seen as the work which requires the most remedial clarifaction and illumination...this is a no less compelling performance than the Second on this disc, demonstrating... — Gramophone Magazine, November 2012 More…